075. Writing Retreat.

My bags are packed and I'm headed into the mountains!
I've never done this before, but I decided to book a little cabin in the woods for 72 hours of remote inspiration devoted purely to writing!

I'm hoping to come back with a rough draft of a few chapters, maybe some sketches and a layout for my first email newsletter!

Sorry the blog has been so quiet lately - as I mentioned in the last post, I've never been more busy.

Here are some photos from last summer - the same location I'm headed today!

074. New Watercolor Tutorial Video: Mountain & Lake

I know... I'm the worst! I have been so bad since returning to Denver about updating my blog and making videos. 
In my defense, I've been REALLY busy with fulfilling Patreon orders, Paintalong tutorial (see results here), streaming, writing my book, studying, collaborations, commissions, and continuing the quest of selling/giving away my stuff.

All good stuff, business-wise.

So here's a new tutorial video for those of you who are learning watercolor!

In this video I talk about the benefits (and tricks) to painting on a small scale - something I do daily. I go through about 100 watercolor postcards a month, and it's VERY different than painting large. They are so great for studies, giveaways, gifts, etc. and really force you to look at minimizing a landscape to it's base elements.

When I'm painting these, I often ask myself "What are the minimum amount of brush strokes required to bring the landscape to life?" And what can I actually fit without making it too "busy?"

And just for fun, here are a couple images from recent projects and work around the studio.

Chinese Rainbow Mountains... probably one of the hardest mountain ranges I've ever painted. It feels so abstract!

Chinese Rainbow Mountains... probably one of the hardest mountain ranges I've ever painted. It feels so abstract!

Dolomites, Italy (practicing minimal brush strokes)

Dolomites, Italy (practicing minimal brush strokes)

The theme for May Patreon postcards!

The theme for May Patreon postcards!

Plus so much research, writing, and illustrations for my book! If you want to find out more about that, visit the official website and see previous blog post!

072. Hello Denver!

I missed my Friday deadline, but I have a good excuse!

I flew back to Denver on Sunday, and have been spending my days unboxing my storage, visiting friends I haven't seen in over 6 months, and preparing to start a new stream schedule for my summer in Denver.

I've also been compiling the required documentation to apply for my fiance visa to return to the UK. 

It's all pretty overwhelming, but at the same time, I remain positive, and just know that in the long run this will be for the best.

So all in all, it's been a hectic week, but I still try to find a little time each day to paint.
It's the only thing that keeps me grounded.

Here are a few plein air sketchings from this week.

069. Urban Sketching & The Fear of the Blank Page

Now that spring has sprung, I find myself giving up my snuggie and slippers for my sneakers and sunglasses. 

I grab my sketchbooks, pens, watercolor travel sets, and just go. 
Sometimes I don't know where I'm going, and I just walk until I find something that inspires me.

Sometimes I remember a cool building or sunny bench that I want to revisit.
The only constant is that I want to paint.

There is a huge difference in painting from a reference photo vs. painting from life. When you paint from a reference photo, everything is already flattened conveniently to a 2D surface that you can copy.

From life, your eye must decipher the depth, understand the shadows and highlights as the sun dances over the grass or through the tree limbs. This carries an added challenge, when you're trying to capture the scale, perspective, and colors of what you see! However, with just a little practice, it becomes much easier, and far more rewarding. 
In my previous post I shared my Plein Air sketchbook tour, and talked about how meaningful the experiences were when I was painting. 

Besides, there's nothing like a change in environment to get out of an artist block or a creative funk.

Time and time again, I find myself craving a good sketch/paint session, but have no clue what I want to make! So rather than fuss over it or overthink it, I simply GO! 
Seriously, I just throw everything in my bag and leave my house.
This creates momentum. That momentum steamrolls any of my doubts or fears, and from there, its no longer about "I feel like sketching but I don't want to ruin my sketchbook or I don't know what to paint" and it becomes "where can I sit and start sketching?"

It may seem so simple and obvious, but that is the difference between a stack of blank sketchbooks and ones full of stories, experiences, and adventures!

Plein air painting/urban sketching has become as much a part of my work flow as answering emails. 

This weekend I'm headed out into the Scottish highlands for a camping trip!

I ordered a GoPro so I can eliminate the tedious and inefficient process of filming my plein air sketching with my phone. Hopefully it arrives in time so I can test it out this weekend. I'm definitely planning on bringing my sketchbook and paint!

068. Sketchbook Tour #1!

Howdy all! I am so excited to share this video, which is a sketchbook tour of my recently completed sketchbook! I started this Moleskin Watercolor Sketchbook in June, 2016.

I was JUST starting on my watercolor journey, so the first several pages of this sketchbook show my early learning process. I was not only painting in this sketchbook, I also did lots of work in my studio on nice watercolor paper. But I did take this out with me on my hiking and camping trips! So there are many special places captured in this sketchbook.

Many of you have been with me since I started my watercolor journey, and have seen me post photos of a lot of these on my Instagram. I post tons of sketches and such on there, so if you like that sort of thing, make sure you're following! 

066. From Blackout to Clarity

People who follow me on Twitch know that I recently went through a 5 day internet blackout.
I felt so helpless and frustrated, and by the end I was really starting to worry about my business. I could barely connect to a signal using my phone, but when I did, I saw that I had Etsy orders and commission emails coming in. That is usually super exciting, but I need internet to run my business!

5 days might not sound like a lot, but when you go from being connected 27/7 on Email, Twitch, Discord, Instagram, Twitter, Etsy, Patreon, YouTube, etc... to suddenly have no connection is a shock to the system. Day after day I had no answer or hope from my ISP that internet would return, so I was just drifting along doing my best to stay occupied.

The silver lining is that I had a lot of time to reflect.
120 hours is a long time. Subtract 40 for sleeping and I still had 80 hours to fill over those 5 days.

At first, time went slow and I was grasping at straws. Every time I got an idea for something to do, I remembered it required internet. So finally, I did what any artist would do.
I created.

Within those 5 days, I ended up painting both commissions and studies, as well as doing some hiking & plein air painting.
I also decided to record all of it. I had a light-bulb moment that I could use my internet-less time to make as much video content as possible for my new Art-centric YouTube channel! GAME ON!

I ended up making 4 videos during the last 5 days, catered specifically towards instruction/education and inspiration. I made them specifically for YouTube so that I could start to build a library of helpful content for viewers. It was actually really fun - and kind of addicting!

Here's an example:

I used my 5 days as practice for what will hopefully be a routine. Eventually I'd like to regularly produce 2 videos per week. Now that I have internet again, and I'm back to my regular routine and streaming, I have less time to produce videos, but I now have a good strategy for using my time efficiently, and a better idea of what it takes to make these videos. 

Upcoming videos:
- Watercolor Mountain - Narrated Time Lapse
- Medium Wars (Forest Scene) - comparing Watercolor/Gouache/Acrylic
- Plein Air Sketchbook Tour (Plus added narration/video of me painting in each location)

In addition, I've completely updated my Patreon Page, in order to better match my current and future artistic goals. The changes mean I'll be sending out less physical content each month, but providing more videos, process photos, and educational content more often, which is something people have been asking for.

Patreon is an amazing way for artists to support themselves, while offering exclusive content to their supporters. 

Checkout my new intro video!

So, what started out as a disaster and worryfest, ended up being a period of reflection, production, and clarity for my business and goals.

I feel so incredibly motivated and inspired!! 

064. Announcement: Social Media Username Change!

In an effort to synchronize my online presence and create a more efficient experience for my followers, I've decided to change my username for all of my social media accounts!

The new name matches my business name, Sarah Burns Studio.

New links:

Twitter: https://twitter.com/SarahB_Studio

Instagram: https://www.instagram.com/sarahburnsstudio/

Patreon: https://www.patreon.com/sarahburnsstudio

Youtube: https://www.youtube.com/sarahburnsstudio

Artstation: https://www.artstation.com/artist/sarahburnsstudio

063. Documenting Artwork

Documenting your work is so important, whether you are a hobbyist or a full time artist. You use images for your portfolio, shop, and social media. Having consistently good images will put you and your work in a better light (pun)!

For those of us who are trying to build our business and make a living through our artwork, it's essential that we make it look as professional as possible! 

20170309_115853_HDR.jpg

First, decide between using a camera to capture your work or a scanner.

For me, that was an easy choice. I come from a photography background, so I already had the knowledge and camera required for good photos. But even more importantly, I often paint very large - sometimes up to 4 feet paintings, and those cannot be scanned!
If you want to scan your artwork, but you don't own a large scanner, you'll need to find a local print shop who can scan large artwork, and they have limits (and it can be pricey).

So this information is for anyone interested in photographing your artwork. This is MY process, and it may differ from other artists, but I hope it helps! Everything in my portfolio was a photo taken with my DSLR and cropped/adjusted in Photoshop after.

Anytime I say "canvas" I am referring to your artwork, whether it's a painting, drawing, or sculpture!

Β 

Lighting

There are lots of factors to consider when documenting artwork, but lighting is the main challenge. Regardless of your equipment, if you don't understand what good lighting is, your photos will suffer. 

USE NATURAL LIGHT WHENEVER POSSIBLE (But not direct sun)

Each type of light (natural, incandescent, LED, fluorescent, etc) has a different color or "temperature" (warm vs. cool)
Natural light falls in the middle, giving you a very neutral color and most accurately representing your artwork's colors.

Most of us have incandescent or warm LED bulbs in our home, which will cast a warm glow. If you absolutely cannot take photos using natural light, using the artificial light available to you is OK because color can be fixed in post production (to an extent). However what is not OK is low light, or using flashes that create a glare on the artwork. Sometimes, the glare isn't just a white reflection, but a color shift within your shadows. This can be hard to notice until you get into post production, and it's really annoying to fix!

To avoid reflections and glare on your canvas, you need to use indirect lighting. This means making sure there are no direct sources of light hitting your canvas. You can do this by angling your canvas in a certain position with your room. Fill the room with as much light as possible. Don't point light directly at your canvas. Begin angling the canvas and really look at the shadows. If you notice they are "lighter" than they should be or have a slightly different color, this means there's a glare and it WILL show up in your photos.

Keep angling until you find a position that works! Remember to avoid casting a shadow on the work from your body, camera or tripod (I rarely use a tripod).

Β 

The angle of the photo matters!

Don't take the photo from a harsh angle (from the side). Position the camera DIRECTLY ABOVE the canvas, keeping in mind that you will need to crop the image. Cropping requires straight lines. 

The following examples were taken with my phone (LG G4):

Final image after adjustments.

The last image shows what it looks like after being cropped and the contrast slightly increased.
This painting was not complete at the time, but I wanted to use it as an example because it had a variety of colors, contrast, and texture. These things were captured well with my phone and the final image is perfect for twitter or instagram, or even an online portfolio!

Β 

DSLR Camera Settings

I always shoot in RAW format (not jpeg) whenever possible.
Most cameras, even point-and-shoots and some phones, have the option to change what file type your images are. RAW format allows you to adjust native settings of the image like exposure, white balance (color), and much more in post production, and it gives you a higher quality image.

Canon: In your camera menu, scroll to the "Image Quality" function and choose RAW.
Nikon: In your camera menu, scroll to "Image Quality" function and choose NEF (RAW).

Keep in mind this will increase your file size, sometimes up to 30mb per image. However it provides the purest, largest, highest quality image, which will allow you to make large poster size prints of your images later if you want!
If you don't have the option for RAW, use the highest jpeg setting available.

Use a high ISO in order to allow as much light into the sensor as possible. If your shadows are "grainy" that means you need more light in the room and a lower ISO (increasing the ISO too much will cause grain).

MAKE SURE THE PHOTO IS IN FOCUS! Stay as still as possible, and take the image directly from above so that every part of the canvas is in focus.

Β 

Using a Phone

I have the LG G4 phone, and I chose it specifically for the camera. It allows manual settings as well as RAW format! It takes incredibly crisp images and does a great job handling low light.

You can take perfectly decent photos for your portfolio and social media with your camera phone.
(See above examples)

The area that it lacks is usually resolution/file size. If you plan on selling high quality prints of your work down the line, you'll need very high resolution, large files which phones don't always provide. Just keep that in mind.

Β 

Post Production

After you take the photo, you will need to make adjustments and crop the image to match the borders of your artwork.

I use Photoshop CS6, but you can find other photo editing software out there. Just make sure it allows you to edit RAW images if you use that setting.

When you open a RAW file, it will first open in Adobe Bridge. This allows you to adjust the native settings of the image like exposure and color. If you have a jpeg, open it directly in Photoshop or whatever software you have. You can still adjust these settings in a jpeg to an extent.

The main things I do are:

  1. Crop
  2. Adjust saturation or colors
  3. Adjust contrast (using levels or curves)

Β 

Social Media

Like I mentioned before, a lot of times using a phone to capture images of your work for social media is perfectly fine, just try to keep lighting, angle, and quality in mind! The more you post consistently good quality images, the more your work will attract others. Posting poorly lit, horribly yellow, or grainy photos of your work just makes the art and your brand look BAD! Give yourself the best chance possible by taking a little extra time and pay attention to the details.

Progress Pics are an excellent way to show off the unique aspects of a medium, whether it's painting or drawing, or whatever! People love progress pics!

Instagram currently offers the choice to upload multiple images to one post, so you can show individual progress photos or closeups of your piece.
Note: For the multiple photo feature, the app auto-crops them to a square, so make sure you take the image from far enough away/the correct angle to fit within a square.

Twitter allows you to upload 4 images at a time, which is also an excellent way to show details or progress shots.

You can also have fun and get creative with your compositions. 

Multiples or closeups don't have to be boring!

If you have any specific questions, please message me or leave a comment below! I'd love to help you reach a level of quality you are proud of!

059. Artistic Progression

You know that feeling when you're starting to learn a new skill, and even though you understand the premise of how to execute the skill, your body just can't quite do it?

For instance, shooting a bow. You understand you must raise the bow, aim the arrow, pull back on the string, and release. You hope it hits the target in the desired spot. However, you quickly realize there are so many tiny nuances to achieving your goal. Angle, strength, even wind can factor in to the outcome. It cannot be perfected without hundreds - if not thousands - hours of practice.

The same goes for art. 

Learning how to manipulate paint on a canvas, or how to sweep graphite over the paper to a desired outcome is a skill. 

It's not an innate talent you are born with. With enough hours and dedication, you can learn how to paint something like this:

"The Fellowship of the Ring - Descent from Caradhras" by Donato Giancola (oil on linen)

It may be a long and sometimes tedious and frustrating process. However that doesn't mean it's not an enjoyable process! It's going to be filled with tiny failures and successes. 
Remember: mistakes are your FRIEND!
We learn from our mistakes.

I frequently hear new artists say "it feels like I'm not getting any better."

If you are practicing, especially daily, you ARE getting better. Your progression may not be noticeable (to you) because you have an idea of what skill level you want to reach, and that is clouding your judgement.

If you truly want to make progress, you need to take an active role in your progression! This means that every single time you draw/paint something, you give it a proper look and do a quick "lessons learned" session. What is good about it? What is not good? Where do you feel like you struggle the most?
The more you do this, the more you'll be present during the creation, and be able to see your true mistakes, learn from them, and eventually get over them.

It doesn't happen immediately, but it will happen.

No matter what, don't compare yourself to other artists. That will only lead to that pitiful "I will never be able to do that" feeling. I'm just as guilty of this - but once I'm aware that I am doing it, I snap out of it and continue on my own journey.

Do you have any tips/advice for new artists? If so feel free to leave them in the comments!